ABSTRACT
Dance, as one of the performing arts is mostly used for entertainment. In this case, the art form is largely seen as an aesthetic enterprise with little or no utilitarian value. However, some dances, in spite of their being aesthetic are influenced by utilitarian components or movements. This is the situation with the owigiri dance which was initiated as an aesthetic work of art is driven by other traditional dances. These traditional dances such as penge, abo, agene, owu, konkonba, osundu and feletei have cultural annotations and interpretations. The appreciation of the owigiri performance therefore as an aesthetic art, especially at social gatherings should always be done with cultural interpretations of movements and materials used in the dance. This is the legitimate way the owigiri dance can be appreciated wholly as a means of communication.
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Chapter One: Introduction
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